Click Here To Visit The SRGC Main Site
I have awful problems with reds which come out as horrendous pinks.
Quote from: David Nicholson on February 23, 2012, 07:38:02 PMI have awful problems with reds which come out as horrendous pinks.David - You're not alone. The experts were never been able to come up with a solution for me. If the red is a particularly good one and with a sheen the red would come out pink and the sheen white. I tried umbrellas and everything else.The old Pentax MX using Velvia film had no such problem.johnw
I find the relatively inexpensive Canon Powershot A720IS (there's probably a later model) perfectly adequate for my simple needs. Macro shots improved considerably when, following Ian Y's advice, I set the camera to 'spot' metering rather than using 'auto'.
Quote from: Gerry Webster on February 24, 2012, 02:54:18 PMI find the relatively inexpensive Canon Powershot A720IS (there's probably a later model) perfectly adequate for my simple needs. Macro shots improved considerably when, following Ian Y's advice, I set the camera to 'spot' metering rather than using 'auto'.I've looked in the manual for my Fuji Finepix S5700 and can't find anything about 'spot' metering. Could it be described as something else?
Had a look (under BD's tutelage) on the Fuji S5700 online manual... seesm it only offers auto metering.
The Sigma 18-200 is not in the same class as the Nikon model, but the price reflects this. Sigma lenses can be as good as the brand leaders but quality can vary. The standard range of Nikon lenses are built for professional use. The mechanical parts are built to withstand heavy use day after day. Stringent quality control weeds out lens elements which do not come up to spec. Producing a quality zoom with up to 12 elements is a tricky operation. I think that the quality control of Sigma lenses is probably not as high. A batch of lenses could contain excellant to mediocre examples. I would suggest that you look, on the web, for test reports and base your judgement on this.